(For paintings listed under artist headings, works are by that artist unless otherwise specified)

Palomino, Antonio; Allegory of Air; after 1688; Madrid: Prado

Kessel, Jan Van II: Family in a Garden; 1679; Madrid: Prado

El Greco (Domenikos Theotokopoulos)
 

Purification of the Temple; 1567-70; Washington D.C., National Gallery of Art Assumption of the Virgin; 1577-79; 401 x 229 cm; Chicago, Art Institute The Holy Trinity; c.1577-79; Oil on canvas; Madrid, Prado Martyrdom of St. Maurice and the Theban Legion; 1580; Escorial, Monastery Burial of the Count of Orgaz; 1586-88; Toledo, Santo Tomé Agony in the Garden; c.1590-95; Toledo (OH), Museum of Art The Annunciation; c.1596-1600; Villanueva y Geltru, Museo Balaguer St.Martin and the Beggar; 1597-99; Washington, D.C., National Gallery of Art View of Toledo; c.1604-10; New York, Metropolitan Museum of Art St. Ildefonso Writing; 1603-05; Illescas, Hospital de la Caridad Assumption of the Virgin; c.1607-13; Toledo, Museo de Santa Cruz Laocoön; 1614; Washington, D.C., National Gallery of Art Vicenzo Anastagi; c.1575; New York, Frick Collection Portrait of a Cardinal (Niño de Guevara); c.1600; New York, Metropolitan Museum of Art Fray Hortensio Felix Paravicino; c.1609; Boston, Museum of Fine Arts Titian; Pope Paul III and his Nephews, Alesandro Cardinal Farnese and Ottavio Farnese; 1546; Oil on canvas; Naples, Capodimonte Titian; Emperor Charles V Seated; 1548; Munich, Alte Pinakothek

Pacheco, Francisco
 

The Immaculate Conception with portrait of Miguel Cid;  c.1615-21; Seville, Cathedral Portrait of Don Francisco Gutierrez Molina; c.1630; Seville, Cathedral Portrait of a Man and a Woman (the artist and his wife?); Seville: Museo de Bellas Artes San Fernando Entering Seville; 1634; Seville, Cathedral

Roelas, Juan de las
 

Retablo Mayor; 1603-06; Seville, Iglesia de la Anunciación The Circumcisión; 1604; Seville, Iglesia de la Anunciación, Retablo Mayor Adoration of the Shepherds; 1604-06; Seville, Iglesia de la Anunciación, Retablo Mayor Adoration of the Name of Jesus; 1604-5; Seville, University Chapel St.James at the Battle of Clavijo; 1609; Seville, Cathedral The Virgin of Mercy; c.1621-24; Seville, Cathedral

Herrara the Elder, Francisco
 

Ecstasy of St. Francis Xavier; c.1625; Seville: College Hall St.Bonaventure Professing the Franciscan Order; 1627-29; Madrid, Prado

Tristan, Luis; Holy Trinity; 1624; Seville, Cathedral

Cotán, Juan Sánchez; Still Life with Quince, Cabbage, Melon and Cucumber; c.1600; San Diego, Museum of Art

Orrente, Pedro
 

St.Sebastian; 1616; Valencia, Cathedral Sacrifice of Isaac; c.1616; Bilbao, Museo de Bellas Artes

Maino, Juan Bautista
 

Adoration of the Shepherds; 1611-13; Madrid: Prado Adoration of the Magi; 1611-13; Madrid: Prado Recovery of Bahía; 1634-35; Madrid, Prado

Carducho, Bartolomé; Descent from the Cross; 1595; Oil on canvas; 263 x 181cm; Madrid, Prado

Carducho, Vincente
 

Expulsion of the Moriscos; 1627; Madrid: Prado Death of St. Bruno; c.1630; Seville: College Hall Martyrdom of the Carthusians; c.1630; Seville: College Hall

Hamen y Leon, Juan van der
 

Still Life with Glass, Pottery, and Sweets; 1622; Madrid: Prado Flora; 1627; Oil on canvas; Madrid, Prado Still Life with Sweets and Pottery; 1627; Washington: National Gallery of Art

Ribalta, Francisco
 

Decapitation of St.James; 1603; Algemesí, Iglesia de San Jaime Apóstol Navarrete, Juan Fernández de; Martyrdom of St.James; 1569-71; El Escorial St.James at the Battle of Clavijo; 1603; Algemesí, Iglesia de San Jaime Apóstol St.James at the Battle of Clavijo; 1609; Seville, Cathedral Iglesia del Colegio de Corpus Christi, interior, retablo mayor; 1604-10; Valencia Retablo Mayor of the Iglesia del Colegio de Corpus Christi: Last Supper; 1604-10; Valencia St. Francis Embracing the Crucified Christ; c.1620; Valencia, Museo de Bellas Artes St. Francis Embracing the Crucified Christ: Francis and Christ; c.1620; Valencia, Museo de Bellas Artes St.Bernard with the Crucified Christ; c.1625; Madrid, Prado

Ribera, José de
 

La Vista (Sight); c.1611-16; Mexico, Franz Mayer Museum El Olfato (Smell); c.1611-16; Madrid, private collection Saints Peter and Paul; c.1616; Strasbourg, Musée des Beaux-Arts Drunken Silenus; 1626; Naples, Capodimonte Drunken Silenus: satyr; 1626; Naples, Capodimonte Drunken Silenus: snake with signature of artist; 1626; Naples, Capodimonte Drunken Silenus: turtle and shell; 1626; Naples, Capodimonte St.Jerome and the Angel of Judgment; 1626; Naples, Capodimonte St.Jerome and the Angel of Judgment: Angel; 1626; Naples, Capodimonte Earthly Trinity with Saints Bruno, Benedict, Bernardino and Bonaventure; c.1626-30; Naples, Palazzo Reale Earthly Trinity with Saints Bruno, Benedict, Bernardino, and Bonaventure: Christ-child and St.Bruno; c.1626-30; Naples, Palazzo Reale The Eternal Father; c.1626-30; Naples, Palazzo Reale Herrera Barnuevo, Sebastian de; Holy Family (Earthly Trinity); c.1655; Madrid: Cathedral The Bearded Woman (Magdalena Ventura with her Husband); 1631; Toledo, Palacio Lerma St.Andrew; c.1630?; Madrid, Prado Ixion; 1632; Madrid, Prado Titius; 1632; Madrid, Prado Immaculate Conception; 1635; Salamanca, Iglesia del Convento de las Agustinas Recoletas de Monterrey Dream of Jacob; 1639; Madrid: Prado Dream of Jacob: head of Jacob; 1639; Madrid: Prado Hecate; c.1641-2; London: Wellington Museum Mystical Marriage of St. Catherine; 1648; New York: Metropolitan Museum of Art Mystical Marriage of St. Catherine: Old Woman's Hands; 1648; New York: Metropolitan Museum of Art Mystical Marriage of St.Catherine: St.Catherine; 1648; New York, Metropolitan Museum of Art Study of a Bat and Ears; c.1622; Drawing; New York, Metropolitan Museum of Art St.Sebastian; c.1620; pen; Toronto, Art Gallery of Ontario

Zurbarán, Francisco de
 

Saint Serapion; 1628; Originally located in the monastery of the Merced Calzada, Seville; Oil on canvas; Hartford, Wadsworth Atheneum Saint Peter Nolasco's Vision of the Crucified Saint Peter; 1629; Originally in Monastery of Merced Calzada, Boxwood Cloister; Madrid: Prado Monastery of the Merced Calzada, Seville: groundplan Monastery of the Merced Calzada, Seville:  Boxwood Cloister; 1602-11 Groundplan, Church of the College of San Buenaventura, original installation of paintings; Seville Church of the College of San Buenaventura, section of the nave, south wall, diagram of original installation of paintings by Juan de Herrera; Seville Church of the College of San Buenaventura, section of the nave, north wall, diagram of original installation of paintings by Zurbarán; Seville Church of the College of San Buenaventura, interior, view of nave; Seville St. Bonaventure at the Council of Lyons; c.1629; Paris: Louvre St. Bonaventure on his Bier; c.1629; Paris: Louvre Apotheosis of Saint Thomas Aquinas; 1631; Seville, Museo Provincial de Bellas Artes Christ and the Virgin in the House at Nazareth; c.1630; Oil on canvas; Cleveland, Museum of Art Still Life with Cidras, Basket of Oranges, Cup and Rose; 1633; Pasadena, Norton Simon Museum of Art Still Life with Pottery Jars; c.1635-40; Madrid: Prado Still Life with Pottery Jars: Jar; c.1635-40; Madrid: Prado Palace of the Buen Retiro, Hall of Realms, Groundplan; begun 1632; Madrid Palace of the Buen Retiro, Hall of Realms, Reconstruction drawing of the original elevation of the south wall; Madrid The Defense of Cádiz; 1634; Madrid, Prado The Death of Hercules; 1634; Madrid, Prado Bishop Gonzalo de Illescas; 1639; Guadalupe: Monastery, sacristy The Temptation of Saint Jerome; 1639; Guadalupe: Monastery, Chapel of Saint Jerome Monastery of Sta. María de las Cuevas, Seville Monastery of Sta. María de las Cuevas, Seville: perspective view; Paris: Bibliotheque Nationale Monastery of Sta. María de las Cuevas, Seville: reconstruction drawing of the installation of Zurbarán's paintings in the sacristy St. Hugh in the Refectory; ca.1645-55; Originally in Monastery of Santa Maria de las Cuevas, Seville; Seville: Museo de Bellas Artes St. Hugh in the Refectory: still-life detail; ca.1645-55; Originally in Monastery of Santa Maria de las Cuevas, Seville; Seville: Museo de Bellas Artes The Virgin of Mercy of Las Cuevas; ca.1645-55; Originally in Monastery of Santa Maria de las Cuevas, Seville; Seville: Museo de Bellas Artes The Immaculate Conception; c.1630-35; Oil on canvas; Madrid, Prado Virgin of the Immaculate Conception; ca.1640-50; Sigüenza:Museo Diocesano de Arte Virgin of the Immaculate Conception; 1656; Collection of Placido Arango

Cano, Alonso
 

Vision of St.John the Evangelist; 1635-36; London, Wallace Collection Vision of St. Bernard; Madrid: Prado Virgin of Bethlehem; c.1653; Granada: Cathedral Virgin of Bethlehem: side view; c.1653; Granada: Cathedral St. Anthony of Padua; c.1653-7; Granada: Museo de Bellas Artes St.Joseph with the Infant Jesus; c.1653-7; Granada: Museo de Bellas Artes

Velázquez, Diego
 

Old Woman Cooking Eggs; 1618; Edinburgh, National Gallery of Scotland Water Carrier of Seville; 1619; London, Wellington Museum Carracci, Annibale; The Bean Eater; c.1584; Rome, Galleria Colonna Caravaggio; Gypsy Fortune Teller; Paris, Louvre Christ in the House of Mary and Martha; 1619; London, National Gallery The Poet Don Luis de Góngora y Argote; 1623; Boston: Museum of Fine Arts Count-Duke of Olivares; New York, Hispanic Society of America The Infante Don Carlos; c.1626-27; Oil on canvas; Madrid, Prado The Topers (The Feast of Bacchus) (Los Borrachos); 1628; Oil on canvas; Madrid, Prado Titian; The Bacchanal of the Andrians; c.1520; Oil on canvas; Madrid, Prado The Forge of Vulcan; c.1629-30; Madrid, Prado Joseph's Bloody Coat Brought to Jacob; 1630; El Escorial: Monastery of San Lorenzo Joseph's Bloody Coat Brought to Jacob: Jacob; 1630; El Escorial: Monastery of San Lorenzo Joseph's Bloody Coat Brought to Jacob: dog; 1630; El Escorial: Monastery of San Lorenzo St. Anthony Abbot and St. Paul the Hermit; 1633; Madrid: Prado St. Anthony Abbot and St. Paul the Hermit: St. Anthony; 1633; Madrid: Prado St. Anthony Abbot and St. Paul the Hermit: raven; 1633; Madrid: Prado St.Anthony Abbot and St. Paul the Hermit; c.1634; Madrid: Prado Grünewald, Matthias; Isenheim Altarpiece, The Meeting of St.Anthony and St.Paul the Hermit; 1515; Colmar, Musee d'Unterlinden Philip IV in Brown and Silver; c.1634-35; London, National Gallery Pantoja, Juan; Philip II; El Escorial: Monastery Philip IV on Horseback; 1654-55; Oil on canvas; 118 1/2 x 125"; Madrid, Prado Titian; Charles V at Mühlberg; 1532/33; Oil on canvas; Madrid, Prado Velázquez, Diego; The Count-Duke of Olivares on Horseback; c.1633; Madrid: Prado Velázquez, Diego; The Count-Duke of Olivares on Horseback: costume; c.1633; Madrid: Prado The Count-Duke of Olivares on Horseback: tree; c.1633; Madrid: Prado The Surrender of Breda; 1634; Oil on canvas; Madrid, Prado Maino, Juan Bautista; Recovery of Bahía; 1634-35; Madrid, Prado Juan de Calabazas; 1637-1639; Madrid, Prado Sebastián de Morra; c.1644; Madrid, Prado Menippus; c.1638-40; Madrid, Prado Mars; c.1640-42; Madrid: Prado Mars: head; c.1640; Madrid: Prado Mars: armor; c.1640; Madrid: Prado Prince Baltasar Carlos as a Hunter; c.1635-36; Madrid: Prado Prince Baltasar Carlos as a Hunter: dog; c.1635-36; Madrid: Prado Philip IV as a Hunter; c.1632-36; Madrid: Prado Philip IV as a Hunter: Philip; c.1632-36; Madrid: Prado Lady with a Fan; c.1638-39; London, Wallace Collection A Lady Sewing (The Needlewoman); c.1640/50; Washington D.C., National Gallery of Art Pope Innocent X; 1649-50; Rome, Galleria Doria-Pamphili Pope Julius II; Oil on panel; London, National Gallery Juan de Pareja; c.1650; New York: Metropolitan Museum of Art Juan de Pareja: head; 1650; New York: Metropolitan Museum of Art Juan de Pareja: chest and arm; 1650; New York: Metropolitan Museum of Art Venus at Her Mirror; c.1650-51; London, National Gallery Queen Mariana; 1652; Madrid, Prado Las Meninas; 1656; Madrid: Prado Las Meninas: figures at right; 1656; Madrid: Prado The Fable of Arachne (Las Hilanderas or The Spinners); c.1658; Oil on canvas; Madrid, Prado Prince Don Felipe Próspero; 1659; Vienna;  Kunsthistorisches Museum

Mazo, Juan Bautista Martínez del
 

The Family of the Painter; Vienna: Kunsthistorisches Museum Doña Mariana of Austria; c.1666; Toledo: Museo Casa del Greco

Pereda, Antonio de; St. Peter Liberated by the Angel; 1643; Madrid: Prado
Raphael; St. Peter Liberated by the Angel; 1512-13; Fresco; Rome, Vatican, Stanza d'Eliodoro

Rizi, Francesco
 

Retable, Parish Church of Fuente el Saz; 1655; Madrid Retable, Parish Church of Fuente el Saz, Martyrdom of St.Peter; 1655; Madrid Retable, Parish Church of Fuente el Saz, Coronation of the Virgin; 1655; Madrid Retable, Parish Church of Fuente el Saz, Christ Among the Doctors; 1655; Madrid Retable, Parish Church of Fuente el Saz, Adoration of the Shepherds; 1655; Madrid Retable, Parish Church of Fuente el Saz, Adoration of the Magi; 1655; Madrid The Immaculate Conception; c.1651?; Madrid: Prado (with J. Carreño); San Antonio de los Alemanes, Vault: Center; 1665-68; Madrid (with J. Carreño); San Antonio de los Alemanes, Vault: Virgin; 1665-68; Madrid (with J. Carreño); San Antonio de los Alemanes, Vault: Angels; 1665-68; Madrid (with J.Carreño); San Antonio de los Alemanes, Vault: St.Anthony; 1665-68; Madrid Correggio; Assumption of the Virgin; 1526-30; Fresco; Parma, Cathedral Guercino; Dawn (Aurora); 1621-23; Fresco; Rome, Casino Ludovisi Mitelli, A. & Colonna, A.; Ceiling bozzetto; 1659; Madrid:Prado Capilla del Milagro; 1678; Madrid, Convent of Descalzas Reales Auto de Fe of 1680; 1683; Madrid: Prado Auto de Fe of 1680:clergy and court; 1683; Madrid: Prado

Carreño, Juan
 

St. Anthony of Padua; 1645-50; Toledo:  Museo de Sta. Cruz St. Sebastian; 1656; Madrid: Prado Reni, Guido; Samson Victorious; Bologna, Pinacoteca Orrente, Pedro; St.Sebastian; 1616; Valencia, Cathedral The Annunciation; 1653; Madrid: Venerable Orden Tercera Mystic Marriage of St. Catherine; 1653; Madrid: Venerable Orden Tercera The Duke of Pastrana; after 1666; Madrid: Prado Dyck, Anthony van; Charles I Dismounted; c.1635; Paris, Louvre Countess of Monterrey; c.1660-70; Madrid: Museo Galdiano Carlos II at Age 10; 1671; Oviedo:  Museo de Bellas Artes The Virgin of Atocha; after 1671; Toledo: Museo del Greco; on deposit at Prado La Monstrua Unclothed (Eugenia Martinez Vallejo); 1680; Madrid:Prado La Monstrua Clothed (Eugenia Martinez Vallejo); c.1680-1686; Madrid:Prado Carracci, Agostino?; Hairy Harry, Mad Peter, and Amon the Dwarf; c.1595-97; Oil on canvas; Naples, Capodimonte The Ambassador Potemkin; c.1681-82; Madrid:Prado Carlos II in Armor; c.1681; Toledo: Museo del Greco Carlos II; c.1685; Madrid: Prado The Nuncio Don Sabas Millini; 1683; Guadalupe: Monastery

Murillo, Bartolomé Esteban
 

The Virgin Presenting the Rosary to St. Dominic; c.1638-40; Seville: Archbishop's Palace The Vision of Friar Lauterio; c.1638-40; Cambridge: Fitzwilliam Museum Angels' Kitchen; 1646; Paris, Louvre St.Ildefonso Receiving the Chasuble from the Virgin; c.1650-55; Madrid:Prado Jacob Setting the Peeled Rods before the Flocks of Laban; c.1660; Dallas, Meadows Museum Laban Searching for his Stolen Household Gods in Rachel's Tent; c.1660; Cleveland, Museum of Art The Immaculate Conception of the Escorial; c.1660-1665; Madrid: Prado St. Francis Embracing the Crucified Christ; c.1668; Seville: Museo de Bellas Artes St. Thomas of Villanueva as a Child Dividing his Clothes Among Beggar Boys; c.1670; Cincinnati: Art Museum The Immaculate Conception of Los Venerables; c.1678; Madrid: Prado Boys Playing Dice; c.1665-75; Munich: Alte Pinakothek Two Women at a Window (A Girl and her Duena); c.1655-60; Washington D.C., National Gallery of Art Self-portrait; c.1670; London: National Gallery

Valdés Leal, Juan de
 

St.Andrew; 1647; Cordoba: Church of San Francisco Carmona; Church of Santa Clara: interior Procession of St.Clare; 1652-53; Seville: Alcázar Retable of the Carmelites; 1655-56; Cordoba: Church of the Carmen Calzados Retable of the Carmelites: Elijah in the Chariot of Fire; 1655-56; Cordoba: Church of the Carmen Calzados Retable of the Carmelites: Virgin of the Carmelites; 1655-56; Cordoba: Church of the Carmen Calzados Temptation of St.Jerome; 1657; Seville: Museo de Bellas Artes Fray Fernando Yañes de Figueroa; 1656-57; Seville: Museo de Bellas Artes Marriage of the Virgin and St. Joseph; 1657; Seville, Cathedral: Chapel of St. Joseph Immaculate Conception; 1659-60; Seville, Church of the Magdalen: Chapel of the Quinta Augustia St. Ildefonso Receiving the Chasuble; 1661; Seville, Cathedral: Chapel of San Francisco St. Ildefonso Receiving the Chasuble (first version); 1661; Mallorca: priv. collection In Ictu Oculi; 1671; Seville: Hospital Church of the Caridad Finis Gloriae Mundi; 1671-72; Seville: Hospital Church of the Caridad St. Ambrose Converting and Baptizing St. Augustine; c.1673; St. Louis: Art Museum Apparition of the Virgin to St.Ignatius at Pamplona; 1674-75; Lima: San Pedro Near Death of St.Ignatius in Hospital of Manresa; 1674-75; Lima: San Pedro Imprisonment of St.Ignatius at Alcala; 1674-75; Lima: San Pedro Apparition of Christ to St.Ignatius; 1674-75; Lima: San Pedro St.Ignatius Proposing the Founding of the Company of Jesus to His Companions; 1674-75; Lima: San Pedro St.Ignatius Sending Off St.Francis Xavier; 1674-75; Lima: San Pedro St.Ignatius Receiving Pope Paul IV's Approval of Jesuit Constitution; 1674-75; Lima: San Pedro Death of St.Ignatius; 1674-75; Lima: San Pedro

Escalante, Juan; Dead Christ; 1663; Madrid:Prado

Cabezalero, Juan; Assumption of the Virgin; c.1667-68; Madrid: Prado

Cerezo, Mateo
 
 

Benavente, Sebastián de and Mateo Cerezo; Retablo Mayor; 1658-59; Valladolid, Convento de Jesús y María Immaculate Conception; c.1661; Madrid: Comendadores de Santiago Christ Judging a Soul; 1663-64; Madrid: Prado The Virgin Appearing to St. Francis; c.1665; Madrid: Museo Lázaro Galdiano The Virgin Appearing to St. Francis: detail of Virgin and Child; c.1665; Madrid: Museo Lázaro Galdiano Virgin Appearing to St. Francis: detail of St. Francis; c.1665; Madrid: Museo Lázaro Galdiano Penitent Magdalene; 1666; Madrid: Hermandad del Refugio Bodegón de cocina; c.1665; Madrid: Prado

Antolínez, José
 
 

Picture Merchant; c.1670; Munich, Alte Pinakothek Transit of the Magdalene; Madrid: Prado

Coello, Claudio
 
 

St.Catherine of Alexandria Dominating the Emperor Maxentius; c.1665; Dallas:Meadows Museum Vision of St.Anthony of Padua; 1663; Norfolk: Chrysler Museum Triumph of St.Augustine; 1664; Madrid:Prado Susannah and the Elders; 1664; Ponce:Museo de Arte St.Michael the Archangel; c.1665-70; Houston: Sarah Campbell Blaffer Foundation St.Rose of Lima; c.1684-85; Madrid:Prado St.Dominic Guzmán; c.1684-85; Madrid:Prado Christ and St. Mary Magdalen in the House of Simon the Pharisee; 1676; Madrid, priv. coll. The Virgin of El Pilar Appearing to St. James the Greater; 1677; San Simeon, Hearst-San Simeon State Historical Monument La Sagrada Forma; 1685-90; El Escorial, Sacristy

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