Contents:

• Early Italian Renaissance
• Northern Renaissance Art
• Italian High Renaissance
• Andrea Palladio (Architecture)
• Northern Sixteenth-Century Art
• Mannerism (Sixteenth Century)
• Italian Baroque Art and Architecture
• Seventeenth-Century Painting
• French Baroque Architecture and Sculpture
• British Art and Architecture (17th/18th centuries)
• French Eighteenth-Century Art and Architecture
• The Nineteenth Century
• Twentieth-Century Art and Architecture

Early Italian Renaissance
 

Giotto di Bondone; Arena Chapel, interior, general view; 1305-6; Fresco; Padua Giotto di Bondone; Arena Chapel, Lamentation; c.1305; Fresco; Padua Giotto di Bondone; Madonna Enthroned; c.1310; Panel; 10'8" x 6'8"; Florence, Uffizi Ghiberti, Lorenzo; The Sacrifice of Isaac; 1401-2; Competition panel for the east doors ofthe baptistry of Florence; Gilt bronze; Florence, Bargello Ghiberti, Lorenzo; Baptistry, E.doors, Gates of Paradise; 1425-52; Gilt bronze; H.17'; Florence Ghiberti, Lorenzo; Baptistry, E.doors, Gates of Paradise: Isaac and His Sons; 1425-52; Gilt bronze; 31 1/2" x 31 1/2"; Florence Donatello; St. Mark; 1411-13; Marble; 7'9" h.; Florence, Or San Michele Donatello; St. George; 1415-17;  originally from Or San Michele; Marble; 6'10"; Florence, Bargello Banco, Nanni di; Quattro Santi Coronati; c.1408-1414; Marble; Florence, Or San Michele Donatello; Prophet Figure (Zuccone); 1423-25; from the campanile of Florence Cathedral; Marble; Florence, Duomo Museum Donatello; Baptismal font, The Feast of Herod; c.1425; Gilt bronze; 23" x 23"; Siena, Cathedral Donatello; David; c.1428-32; Bronze; H.62 1/4"; Florence, Bargello Donatello; Mary Magdalene; c.1454-55; Polychromed and gilded wood; H.6'2"; Florence, Baptistry Donatello; Gattamelata; c.1445-50; Equestrian statue of Erasmo de Narni; Bronze; Padua, Piazza del Santo Masaccio; The Holy Trinity; 1428?; Fresco; Florence, Santa Maria Novella Masaccio; Brancacci Chapel frescos, left wall; c. 1427; fresco; Florence: Brancacci Chapel, Sta. Maria del Carmine Masolino and Lippi, Fra F.; Brancacci Chapel frescos, right wall; c. 1427; fresco; Florence: Brancacci Chapel, Sta. Maria del Carmine Masaccio; Brancacci Chapel, Tribute Money; c.1427; Fresco; Florence, Santa Maria del Carmine Masaccio; The Expulsion from Paradise; c. 1427; fresco; Florence: Brancacci Chapel, Sta. Maria del Carmine Masaccio; Madonna Enthroned; 1426; tempera on panal; 142 x 73.6 cm; London: National Gallery Brunelleschi, F.; S. Lorenzo, interior, nave; 1421-69; Florence, Italy Francesca, P. D.; The Discovery and Proving of the True Cross, detail; c. 1460; fresco; Arezzo: S. Francesco, Main Chapel Brunelleschi, Filippo; Pazzi Chapel, west facade; begun c.1440; Florence, Santa Croce Brunelleschi, Filippo; Pazzi Chapel, interior, view facing northeast; begun c.1440; Florence, Santa Croce Brunelleschi, Filippo; Pazzi Chapel, plan; begun c.1440; Florence, Santa Croce Brunelleschi, Filippo; Santo Spirito, early plan (left) and plan as constructed (right); begun 1436; Florence Brunelleschi, Filippo; Santa Maria degli Angeli, plan, after a 16th-century drawing of a design by Brunelleschi; 1434- 37; Florence Alberti, Leon Battista; Palazzo Rucellai, Ext., facade; c.1452-70; Florence Alberti, Leon Battista; San Francesco, view from northwest; begun 1451; Rimini Alberti, L.B.; Plan of San Francesco, Rimini; c. 1450; Rimini: San Francesco Alberti, Leon Battista; Sant'Andrea: facade; c.1470; Mantua Alberti, Leon Battista; Sant'Andrea, plan; c.1470; Mantua

Northern Renaissance Art
 

Eyck, Hubert and Jan van; Ghent Altarpiece; view when open; Completed 1432; Temper and oil on wood; c. 11' 6" x 15' 1"; Ghent, Cathedral of St. Bavo Eyck, Hubert and Jan van; Ghent Altarpiece; view when closed; Completed 1432; Tempera and oil on wood; c. 11' 6" x 7' 3"; Ghent, Cathedral of St. Bavo Eyck, Jan van; Man in a Red Turban; 1433; Tempera and oil on wood; c. 10 1/4" x 7 1/2"; London, National Gallery Eyck, Jan van; Giovanni Arnolfini and His Bride; 1434; Tempera and oil on wood; 32" x 23 1/2"; London, National Gallery Eyck, Jan van; Giovanni Arnolfini and His Bride; mirror; 1434; Tempera and oil on wood; London, National Gallery Campin, Robert; Merode Altarpiece; 1425-1428; Tempera and oil on wood; c. 25" x 25"; New York, Metropolitan Museum of Art Bosch, Hieronymus; Garden of Earthly Delights; 1505-1510; Creation of Eve (left wing), The Garden of Earthly Delights (center panel), Hell (right wing); Oil on wood; Center panel 86 5/8" x 76 3/4"; Madrid, Prado

Italian High Renaissance
 
 

Leonardo da Vinci; Virgin of the Rocks; 1485; Oil on wood, transferred to canvas; c. 6'3"  x 3'7"; Paris, Louvre Rubens, P.P; Drawing after Leonardo's cartoon for The Battle of Anghiari; c. 1600; drawing on paper; Paris: Mus‚e du Louvre Leonardo da Vinci; Mona Lisa; 1503-1505; Oil on wood; c. 30" x 21"; Paris, Louvre Leonardo da Vinci; Embryo in the Womb; 1510; Pen and ink; Windsor, Castle Da Vinci, L.; Project for a Church; c. 1490; pen on paper; Paris: Bibliotheque de l'Arsenal Raphael; Galatea; 1513; Fresco; Rome, Villa Farnesina Raphael; Pope Leo X with Giulio de'Medici and Luigi de'Rosse; c. 1518; oil on panal; 154 x 119 cm; Florence: Galleria degli Uffizi Michelangelo; David; 1501-1504; Marble; c. H. 13' 5"; Florence, Accademia Michelangelo; Moses; 1513-1515; Marble; H. c. 8'4"; Rome, San Pietro in Vincoli Michelangelo; Dying Slave; 1513-1516; Marble; H. 7' 5"; Paris, Louvre Michelangelo; Bound Slave; 1513-1516; Marble; c. 6' 10 1/2" high; Paris, Louvre Michelangelo; Sistine Chapel; view facing E; Rome, Vatican Michelangelo; Sistine Chapel; ceiling; Creation of Adam; 1508-1512; Fesco; Rome,Vatican Michelangelo; The Fall of Man and the Expulsion from the Garden, portion of the Sistine Ceiling (before cleaning); 1508-12; Fresco; Rome: Sistine Chapel, the Vatican Michelangelo; Sistine Chapel; Last Judgment; 1534-1541; before restoration; Fresco; Rome, Vatican Michelangelo; Tomb of Giuliano d'Medici; 1519-1534; Medici Chapel; Marble; Florence, San Lorenzo Michelangelo; Laurentian Library, vestibule; Begun 1524; Stairway designed 1558-1559; Florence, San Lorenzo Michelangelo; The Campidoglio, engraving; 1569; engraving by Etienne Duperac; engraving; Rome Michelangelo; Museo Capitolino; Rome Titian; Bacchanal; c. 1518; oil on canvas; 1.7 x 1.9 m; Madrid: Museo de Prado Titian; Madonna of the Pesaro Family; 1519-1526; Oil on canvas; c. 16' x 9'; Venice, Santa Maria dei Frari Titian; Man with the Glove; 1519; Oil on canvas; c. 39" x 35"; Paris, Louvre Titian; Pope Paul III and his Grandsons; 1546; oil on canvas; 2.1 x 1.7 m; Naples: Museo di Capodimonte Titian; Christ Crowned with Thorns; 1573-1575; Oil on canvas; c. 9' x 6'; Munich, Alte Pinakothek

Andrea Palladio (Architecture)
 

Palladio, Andrea; Villa Rotonda; 1566-1570; Vicenza environs Palladio, Andrea; Villa Rotonda; plan; 1566-1570; Vicenza environs Palladio, Andrea; S. Giorgio Maggiore; view of the west facade; Designed 1565; Venice Palladio, Andrea; S. Giorgio Maggiore, plan; Designed 1565; Venice

Northern Sixteenth-Century Art
 
 

Grunewald, Matthias; The Isenheim Altarpiece (closed); c. 1510-1515; oil on wood; center panel, 9'9 1/2" X 10'9"; each wing 8'2 1/2 " X 3'1/2"; predella; 2'5 1/2" X 11'2"; Colmar, France, Musee d'Unterlinden Grunewald, Matthias; Resurrection, inner right panel , first opening, The Isenheim Altarpiece; c. 1510-1515; oil on wood; c. 8'8 3/8" X 4'6 3/4"; Colmar, France, Musee d'Unterlinden Durer, Albrecht; Italian Mountains; 1495 or 1505-6; Brush drawing in watercolor; 8 1/4" x 12 1/4"; Oxford, Ashmolean Durer, Albrecht; The Four Horsemen, from the Apocalypse series; c. 1498; woodcut; c. 15 1/4" X 11'; New York, Metropolitan Museum of Art Durer, Albrecht; Self-Portrait; 1500; Oil on panel; 26 1/4" x 19 1/4"; Munich, Pinakothek Durer, Albrecht; The Fall of Man (Adam and Eve; 1504; engraving; c. 10" X 7 1/2"; Boston, Museum of Fine Arts Durer, Albrecht; Knight, Death, and Devil; 1513; Engraving; 9 7/8" x 7 1/2"; Boston, Museum of Fine Arts Durer, Albrecht; Demonstration of Perspective; 1525; From the artist's treatise on geometry; Woodcut Durer, Albrecht; The Four Apostles; 1526; Oil on wood; 7'1" X 2'6"; Munich, Alte Pinakothek Bruegel, Pieter the Elder; Hunters in the Snow; 1565; oil on wood; c. 46" X 64"; Vienna, Kunsthistorisccches Museum Bruegel, Pieter the Elder; Peasant Wedding; 1565; Oil on panel; 44 7/8" x 64"; Vienna, Kunsthistorisches Museum Bruegel, Pieter the Elder; Blind Leading the Blind; 1568; Oil on panel; 34 1/2 x 60 5/8"; Naples, Museo di Capodimonte

Mannerism (Sixteenth Century)
 
 

Spain El Greco; Chapel with The Burial of Count Orgaz; 1586; Toledo, Spain: S. Tomé. El Greco; The Burial of Count Orgaz; 1586; Oil on canvas; c. 16' X 12"; Toledo, Santo Tomé. El Greco; Fray Hortensio Felix Paravicino; 1609; oil on canvas; 44 1/2" X 33 3/4"; Boston, Museum of Fine Arts Italy Parmigianino; Madonna with the Long Neck; 1535; Oil on wood; c. 7' 1" x 4' 4"; Florence, Uffizi Bologna, Giovanni da; Rape of the Sabine Women; Completed 1583; Marble; c. 13' 6" high; Florence, Piazza della Signoria

Italian Baroque Art and Architecture
 
 

Contarelli Chapel; general view; Rome, S. Luigi dei Francesi Caravaggio, Michelangelo; Calling of St. Matthew; 1599-1602; Oil on canvas; 11'1" x 11'5"; Rome, S. Luigi dei Francesi Gentileschi, Artemisia; Judith and Maidservant with the Head of Holofernes; c. 1625; oil on canvas; c. 6' X 4'8"; Detroit, Institute of the Arts Maderno, Carlo; St. Peter's Square, aerial view:; 1656-1667; Rome Bernini, Gianlorenzo; David; 1623; Marble; life size; Rome, Galleria Borghese Bernini, Gianlorenzo; The Ecstasy of St. Theresa; 1645-1652; Cornaro Chapel; Marble, gilded bronze; H. of group 11'6"; Rome, Santa Maria della Vittoria Bernini, Gianlorenzo; Santa Maria della Vittoria, Cornaro Chapel; int.; 1645-52; After 18th century painting, Staatliches Museum, Schwerin; Rome Bernini, Gianlorenzo; Cathedra Petri; 1656-1666; Gilded bronze, marble, stucco, and stained glass; St. Peter's, the Vatican, Rome Borromini, Francesco; San Carlo alle Quattro Fontane, facade; 1665-1676; Rome Borromini, Francesco; San Carlo alle Quattro Fontane, plan; 1638-41 Borromini, Francesco; S. Carlo alle Quattro Fontane, dome; 1665-67; dome; Rome Borromini, Francesco; Chapel of St. Ivo, view into the dome; Rome, College of the Sapienza Borromini, Francesco; S. Agnese in Piazza Navona; facade; 1653-63; Rome

Seventeenth-Century Painting
 
 

French Poussin, Nicolas; Cephalus and Aurora; 1630; Oil on canvas; 38 x 51"; London, National Gallery Poussin, Nicolas; Rape of the Sabine Women; 1636-37; Oil on canvas; 60 7/8 x 82 5/8"; New York, Metropolitan Museum of Art Poussin, Nicolas; The Burial of Phocion; 1648; oil on canvas; 47" X 70"; Paris, Louvre Lorraine, Claude; Tiber from Monte Mario; 1650; Drawing, brown wash on paper; 7 3/8 x 10 1/2"; London, British Museum Lorraine, Claude; A Pastoral Landscape; c. 1650; Oil on copper; 15 1/2 x 21"; New Haven, Yale University Art Gallery Flemish Rubens, Peter Paul; Elevation of the Cross; 1610; Oil on canvas; 15'2"x11'2"; Antwerp Cathedral Rubens, Peter Paul; Arrival of Marie de Medici in Marseilles; 1622-25; Oil on canvas; 61x45 2/3"; Paris, Louvre Rubens, Peter Paul; Garden of Love; 1638; Oil on canvas; 6'6"x9'3 1/2"; Madrid, Prado Rubens, Peter Paul; Landscape with the Chateau of Steen; 1636; Oil on panel; 53x93"; London, National Gallery Dutch Rembrandt van Rijn; Blinding of Samson; 1636; Oil on canvas; 7'9"x9'11"; Frankfurt, Stadelsches Kunstinstitut Rembrandt van Rijn; Night Watch (Company of Captain Frans Banning Cocq); 1642; Oil on canvas; 12'2"x14'7"; Amsterdam, Rijksmuseum Rembrandt van Rijn; Christ Preaching; 1652; Etching; 6 1/8x8 1/8"; New York, Metropolitan Museum of Art Rembrandt van Rijn; Self-Portrait; 1658; Etching; 52 5/8x40 7/8"; New York, Frick Collection Rembrandt; Return of the Prodigal Son; c. 1665; oil on canvas; Approx. 8'8" x 6'8"; Leningrad, Hermitage Museum Van Ruisdael, Jacob; Jewish Cemetery; 1655-60; Oil on canvas; 4'6"x6'2 1/2"; Detroit, Institute of Arts Spanish Velazquez, Diego; Water Carrier of Seville; 1619; Oil on canvas; 41 1/2 x 31 1/2"; London, Wellington Museum Velazquez, Diego; Pope Innocent X; 1650; Oil on canvas; 55 x 45 1/2"; Rome, Galleria Doria Pamphili Velazquez, Diego; Las Meninas; 1656; oil on canvas; c. 10'5" X 9'; Madrid, Prado

French Baroque Architecture and Sculpture
 
 

Versailles, Palace of; interior, Salon de Guerre; 1678; Hardouin-Mansart, architect; LeBrun, interior design and painting; Coysevox, sculpture Hardouin-Mansart, Jules and Le Brun, Charles; Versailles Palace; Galerie des Glaces; 1680; Versailles Versailles, Palace of; exterior, Garden front, center block; 1669-1685; LeVau, Louis and Hardouin-Mansart, Jules architects Hardouin-Mansart, Jules; Church of the Invalides, plan; 1680-91; Paris Coysevox, Antoine; Charles LeBrun; 1676; Terracotta; 26" height; London, Wallace Collection

British Art and Architecture (17th/18th centuries)
 
 

Wren, Christopher; New St. Paul's Cathedral; 1675-1710; London Wren Christopher; Saint Paul's Cathedral, plan; 1675-1710 Wren Christopher; Saint Paul's Cathedral, interior; 1675-1710 Hogarth, William; Rake's Progress, Scene III - The Orgy; 1734; Oil on canvas; 24 1/2 x 29 1/2"; London, Sir John Soane's Museum Hogarth, William; Rake's Progress, Scene III - He Revels (The Orgy); 1735; Engraving; New York, Metropolitan Museum of Art Gainsborough, Thomas; Robert Andrews and His Wife; 1748-50; Oil on canvas; 27 1/2 x 47"; London, National Gallery Gainsborough, Thomas; Mrs. Siddons; 1785; Oil on canvas; 49 1/2 x 39"; London, National Gallery Reynolds, Joshua; Mrs. Siddons as the Tragic Muse; 1784; Oil on canvas; 93 x 57 1/2"; San Marino, Henry E. Huntington Library and Art Gallery Walpole, Horace & William Robinson & others; Strawberry Hill, Interior; 1749-77; Twickenham Walpole, Horace; Strawberry Hill; 1749-1777; Twickenham

French Eighteenth-Century Art and Architecture
 
 

Watteau, Antoine; Return from Cythera; 1717-1719; c. 4' 3" x 6' 4"; Paris, Louvre Watteau, Jean-Antoine; Gilles and Four Other Characters from the Commedia dell'Arte (Perriot); 1719; Oil on canvas; 72 1/2 x 58 3/8"; Paris, Louvre Fragonard, Jean-Honore; Bathers; 1765; Oil on canvas; 25 1/4 x 31 1/2"; Paris, Louvre Clodion, Claude Michel;  Nymph and Satyr; c. 1775; Terra-cotta; H. c. 23" New York, Metropolitan Museum of Art Vigee-LeBrun, Marie-Louise-Elisabeth; The Duchess de Polignac; 1783; Oil on canvas; 38 3/4 x 28"; Waddesdon Manor, The National Trust Soufflot, Jacques-Germain; The Pantheon, exterior from angle; 1755-92; Paris Houdon, Jean Antoine; Voltaire Seated; 1781; Marble; H. 65"; Paris, Comedie-Francaise Houdon, Jean-Antoine; George Washington; 1788-92; Marble; H. 74"; Richmond, State Capitol Adam, Robert; Landsdowne House, interior, room; 1762-68; Philadelphia, Museum of Art

The Nineteenth Century

Neoclassicism
 

Canova, Antonio; Napoleon, front view; 1806; Marble; Over lifesize; London, Apsley House Canova, Antonio; Pauline Borghese as Venus; 1808; Marble; Life size; Rome, Galleria Borghese Canova, Antonio; Tomb of the Archduchess Maria Christina, front view; 1798-1805; Marble; lifesize; Vienna, Augustinerkirche David, Jacques-Louis; Death of Socrates; 1787; Oil on canvas; 51 x 77 1/4"; New York, Metropolitan Museum of Art Ingres, Jean Auguste Dominique; Grande Odalisque; 1814; c. 35" x 64"; Paris, Louvre Ingres, Jean-Auguste-Dominique; Louis Bertin; 1832; Oil on canvas; 46 x 37 1/2"; Paris, Louvre Ingres, Jean-Auguste-Dominique; Louis Bertin; 1832; Pencil; Paris, Louvre

Romanticism
 
 

Goya, Francisco; The Family of Charles IV; 1800; c. 9' 2" x 11'; Madrid, Prado Goya, Francisco; The Third of May, 1808; 1814; c. 8' 8"x 11' 3"; Madrid, Prado Goya, Francisco; Los Proverbios, No. 4; Bobabilicon; c. 1818; Etching; New York, Metropolitan Museum of Art Constable, John; Hampstead Heath; 1821; Oil; 10 x 12"; Manchester, City Art Galleries Constable, John; The Haywain; 1821; 4' 3" x 6' 2"; London, National Gallery Turner, Joseph Mallord William; The Slave Ship; 1840; 35 3/4" x 48 1/4"; Boston, Museum of Fine Arts Friedrich, Caspar David; Polar Sea; 1824; Oil on canvas; 38 1/2 x 50 1/2"; Hamburg, Kunsthalle Gericault, Theodore; Mounted Officer of the Imperial Guard; 1812; Oil on canvas; 9'7" x 6'4 1/2"; Paris, Louvre Gericault, Theodore; Raft of the Medusa; 1818-1819; c. 16' x 23'; Paris, Louvre Delacroix, Eugene; Massacre at Chios; 1822-24; Oil on  canvas; 13'10" x 11'7"; Paris, Louvre Delacroix, Eugene; Odalisque; 1845-50; Oil on  canvas; 14 7/8 x 18 1/4"; Cambridge, Fitzwilliam Museum Delacroix, Eugene; Frederic Chopin; 1838; Oil on  canvas; 18 x 15"; Paris, Louvre Rodin,Auguste; Man with the Broken Nose; 1864; Bronze; H. 9 1/2"; Philadelphia, Museum of Art Rodin,Auguste; The Thinker; 1879-89; Orig. designed as part of Gates of Hell; Bronze; H. 27 1/2"; New York, Metropolitan Museum of Art Rodin, Auguste; The Thinker; 1880; Bronze; New York, Metropolitan Museum of Art Rodin,Auguste; The Kiss; 1886-98; Marble; Over lifesize; Paris, Rodin Museum Rodin, Auguste; Balzac; 1892-97; Plaster; h: 9' 10"; Paris, Musee Rodin Claudel, Camille; Ripe Age; c. 1907; Bronze; 34 1/2 x 20 1/2"; Paris, Orsay

Impressionism
 
 

Manet, Edouard; The Fifer; 1866; Oil on canvas; 63 x 38 1/4"; Paris, Orsay Manet, Edouard; Bar at the Folies-Bergsere; 1882; Oil on canvas; 37"x51"; London, Courtauld Institute Galleries Morisot, Berthe; La Lecture (Reading); 1888; Oil on canvas; 29 1/4 x 36 1/2"; St.Petersburg, Fl., Museum of Fine Arts Degas, Edgar; Glass of Absinthe; 1876; Oil on canvas; 36 x 27"; Paris, Orsay Degas, Edgar; The Tub; 1886; Pastel; 23 1/2 x 32 1/3"; Paris, Mus‚e d'Orsay Degas, Edgar; Prima Ballerina; c. 1876; Oil on canvas; 23 x 16 1/2"; Paris, Orsay Monet, Claude; Water Lilies, Giverny; 1907; Oil on canvas; 36 1/2 x 29"; Private Collection Monet, Claude; The River (Au Bord de l'Eau, Bennecourt); 1868; Oil on canvas; 32 1/8 x 39 5/8"; Chicago, Art Institute

Post-Impressionism
 
 

Gogh, Vincent van; Wheat Field and Cypress Trees; 1889; 28 1/2 x 36"; London, National Gallery Gogh, Vincent van; Potato Eaters; 1885; Oil on canvas; 32 1/4 x 45"; Amsterdam, Rijksmuseum Vincent van Gogh Gogh, Vincent van; Self-Portrait; 1889; Oil on canvas; 22 1/2 x 17"; New York, Mrs.John Hay Whitney coll. Gauguin, Paul; Vision After the Sermon (Jacob Wrestling with the Angel); 1888; Oil on canvas; 28 3/4 x 36 1/2"; Edinburgh, National Galleries of Scotland Gauguin, Paul; Offerings of Gratitude; 1891-93; Woodcut; 8 1/166 x 14"; New York, Museum of Modern Art Cezanne, Paul; Self-Portrait; c.1879; Oil on canvas; 13 3/4 x 10 5/8"; London, Tate Cezanne, Paul; Still Life with Apples; 1879-82; Oil on canvas; 17 1/8 x 21 1/4"; Copenhagen, Ny Carlsberg Glyptotek Cezanne, Paul; Mont Sainte-Victoire Seen From Bib‚mus; 1897-1900; Oil on canvas; 25 1/8 x 32"; Baltimore, Museum of Art

Twentieth-Century Art and Architecture
 
 

Kandinsky, Wassily; Sketch I for "Composition VII"; 1913; India ink; 30 3/4"x39 3/4"; Bern, Kunstmuseum Picasso, Pablo; Demoiselles d'Avignon; 1907; Oil on canvas; 8' 7"x7' 8"; New York, Museum of Modern Art Picasso, Pablo; Portrait of Ambroise Vollard; 1910; Oil on canvas; 36 1/4"x25 5/8"; Moscow, Pushkin State Museum Picasso, Pablo; Still Life with Chair-Caning; 1911-12; Oil and pasted paper simulating chair caning on canvas; 10 5/8"x13 3/4"; Paris, Musee Picasso Picasso, Pablo; Three Musicians; 1921; Oil on canvas; 6' 7"x7' 3 3/4"; New York, Museum of Modern Art Picasso, Pablo; Mother and Child; 1921-22; Oil on canvas; 38"x28"; New York, Alex L.Hillman Foundation Picasso, Pablo; Three Dancers; 1925; Oil on canvas; 884 1/2"x56 1/4"; London, Tate Gallery Picasso, Pablo; Guernica; 1937; Mural; approx. 11'6" X 25"8"; Madrid, Prado Wright, Frank Lloyd; Robie House, Ext. from angle; 1907-1909; Chicago Wright, Frank Lloyd; Robie House, plan; 1907-1909 Le Corbusier; Savoye House; 1929-30; Poissy-sur-Seine, France Le Corbusier; Savoye House, interior; 1929-30; Poissy-sur-Seine, France Le Corbusier; Unite d'Habitation Apartment House; 1947-52; Marseilles, France Le Corbusier; Notre-Dame-du-Haut, southeast view; 1950-55; Ronchamp, France Le Corbusier; Notre-Dame-du-Haut, interior; 1950-55; Ronchamp, France Le Corbusier; Notre-Dame-du-Haut, bird's-eye perspective diagram, from northeast; 1950-55; Ronchamp, France Brancusi, Constantin; Bird in Space; 1928(?); Bronze; H.c. 54"; New York, Museum of Modern Art O'Keefe, Georgia; Black Iris III; 1926; Oil on canvas; 36 x 29 1/8"; New York, Metropolitan Museum of Art Duchamp, Marcel; Nude Descending a Staircase, No. 2; 1912; Oil on canvas; 58"x35"; Philadelphia, Philadelphia Museum of Art Duchamp, Marcel; The Bride; 1912; Oil on canvas; 35 1/8"x21 3/4"; Philadelphia, Philadelphia Museum of Art Dali, Salvador; The Persistence of Memory; 1931; Oil on canvas; 9 1/2"x13"; New York, Museum of Modern Art Miro, Joan; Composition; 1933; Oil on canvas; 51 1/4 x 63 1/2"; Hartford, Wadsworth Atheneum Pollock, Jackson; Autumnal Rhythm: Number 30, 1950; 1950; Oil on canvas; 8'8" x 17'3"; New York, Metropolitan Museum of Art Frank, Robert; Trolley, New Orleans; 1955-56; Gelatin silver print; 9" x 13"; New York: Pace/MacGill Gallery

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